esperanza spalding torrent discography full

Spalding found school in general 'easy – and boring' and dropped out.

Spalding had intended to play cello, but discovered the bass when she was fourteen at the performing arts high school, The Northwest Academy, to which she had won a scholarship. She does not consider herself a musical prodigy, having said, 'I am surrounded by prodigies everywhere I go, but because they are a little older than me, or not a female, or not on a major label, they are not acknowledged as such.' Her early contact with these 'phenomenal resources,' as she calls the musicians who played with her, fostered her sense of rhythm and helped nurture her interest in her instrument. According to Spalding, it was a chance for her to stretch as a musician, reaching and growing beyond her experience. One of the seasoned musicians with whom she played that first night invited her to join the band's rehearsals 'so she could actually learn something,' and her rehearsals soon grew into regular performances spanning almost a year. Spalding began performing live in clubs in Portland, Oregon, as a teenager, securing her first gig at fifteen years old in a blues club, when she could play only one line on bass. Career 2000–03: Early projects and education She sings in English, Spanish and Portuguese. Then I would come home and I would be playing her stuff that her teacher had been playing.' Spalding also played oboe and clarinet before discovering the double bass in high school. Spalding says: 'Going with her to her class, I would sit under the piano. According to Spalding, when she was about eight, her mother briefly studied jazz guitar in college. During this time, she also found the opportunity to pick up instruction in music by listening to her mother's college teacher instructor, who instructed her mother in guitar. Due to a lengthy childhood illness, Spalding spent much of her elementary school years being home-schooled, but also attended King Elementary School in northeast Portland. Spalding stayed with the group until she was fifteen years old, and left as concertmaster. īy the time Spalding was five, she had taught herself to play the violin and was playing with the Chamber Music Society of Oregon. Spalding has credited watching classical cellist Yo-Yo Ma perform on an episode of Mister Rogers' Neighborhood as an integral part of her childhood, and what inspired her to pursue music. Spalding's mother took note of her musical proclivity when Spalding was able to reproduce Beethoven by ear on the family's piano. Spalding has an interest in the music of other cultures, including that of Brazil, commenting: 'With Portuguese songs, the phrasing of the melody is intrinsically linked with the language, and it's beautiful.' Spalding's mother shares her interest in music, having nearly become a touring singer herself. Her mother raised her and her brother as a single parent. She was raised in the King, Alberta neighborhood in Northeast Portland, which at that time was at its height of gang violence. Spalding was born in Portland, Oregon, to an African-American father and a mother of Welsh, Native American, and Hispanic descent. She has won four Grammy Awards, including the Grammy Award for Best New Artist at the 53rd Grammy Awards, making her the first jazz artist to win the award. In 2017 she was appointed Professor of the Practice of Music at Harvard University. Her proficiency earned her scholarships to Portland State University and the Berklee College of Music. She was later both self-taught and -trained on a number of instruments, including guitar and bass. Spalding was raised in Portland, Oregon and was a musical prodigy, playing violin in the Chamber Music Society of Oregon at five years old. Would it be akin to her more improvised gigs? Or patterned after the intricate singer-songwriter style that shaped prior releases like Emily’s D+Evolution? The implicit response from Spalding’s team was: “Watch and find out.Esperanza Emily Spalding (born October 18, 1984) is an American jazz bassist and singer. And Spalding’s fans had little way of knowing how the album might sound. But none of these quirks were meant to be more important than the music resulting from the sessions.

The radical transparency of that move also lent the forthcoming album’s title, Exposure, some extra conceptual depth. Plans to livestream the entire studio session on Facebook Live provided a legitimately new angle.

The time limit was hardly unprecedented, given how artists schooled in jazz-performance practice have long been able to create memorable recordings in a single afternoon. Write, rehearse, and record a full-length set in only 77 hours-including naps, breaks, and meal-times? When singer, bassist and composer Esperanza Spalding announced the organizing conceit for a new album, it wasn’t immediately clear how to categorize her idea. Robert Glasper) (6:20)Ĭoming to Life (feat.

Esperanza spalding torrent discography full